On Busserfirst weekend, After Malone It went alone for his Sunday night with headlining performance, which was surprising, considering that almost every song on his latest hitalbum had a duet partner. But for weekend 2 he was not so lonely, the night and the two-week festival as a whole-with a set that included the guest turns from Ed Sheeran and Gelé reel.
He still did not accept any help on “I had some help”, maybe after making a pact with Post Malone so as not to let anyone replace him at a concert on that duet. The songs where he got some help were a country-fied version of “Sunflower”, where Sheeran took the place for the original studio worker Swae Lee on the main song plus acoustic guitar and “losers” from last year’s smash “F-1 trillion” album, which had Mr. Role that rediscovered its part from that recording.
Both cases provided many opportunities for hugs and spoke Lovefest before and after the songs in question … and in the case of Jelly Roll, a plug for the upcoming stadium tour that will see Jelly Roll opens for Post Malone, from April 29 to July 1.
“I’m so damn grateful to be able to have the damn opportunity to be able to go on tour with the friendliest soul like yourself,” Malone said. “I knew from the first moment that I fucking hugged you that you had the biggest heart in the fucking universe, and I can only say thank you so much, and thank you for coming out tonight and I love you and I can’t wait to kick some fucking ass. You are the biggest mother fucker in the world.”
Malone used the F-word approximately 1.3 times per sentence under his pattern on stage, with the occasions where he used it two or three times per sentence that constituted the occasions where he went through without anyone. This even surpassed his use of the phrase “ladies and gentlemen”, which some viewers in the comment section decided were good for a drinking game.
As for Sheeran, Malone radiated, “Holy Fuck. I didn’t even know he was here tonight.” Some prior knowledge seemed to have been in order and judged not only on the basis of the flawless duo performance, but from the fact that Malone had two of his red solo cups on ready instead of just one.
Sheeran made most of her weekend, with and without Malone. On Saturday he made a solo set in a tent that started at 3 and was broadcast on livestream at 4. Together with 10 biggest hits, Sheeran also played the first live version of his new single, “Azizam,” which was not performed in a small campaign as a bush or bar look.
But when he talked about bars, Sheeran had his own pub set up somewhere in the Coachella premises and made some social media from the secret place on Sunday. His performances on the little Old Phone pub included collaboration with Shaboozey at “A Bar Song (Tipsy)” as well as joining the intimate space with Alex Warren and the traditional Irish band Beoga.
Post Malone definitely won humility for the weekend, with Song Intros and Outros like: “We have come to play some dirty songs and get fucked while we do.” “I apologize for being pitchy.” “Some consider (the following song) as the only good song. And I totally agree …” and: “How many of your mom was here last week? I will try not to fuck this, and I will try to make it a good, ladies and gentlemen.”
In fact, when the comments were browsing along with the live stream, it seemed to be a general, about quite universal, agreement that Malone’s weekend 2 put its weekend 1 performance, with users who quoted better sound, less prominent background song and possibly a malone who had not dipped in his cups so much this time. The integration of his new country songs with his previous pop-hits and some rearranged artifacts from his early hip-hop-era came well, to most ears and reinforced well for the upcoming stadium sets that offer a rather seamless experience, for anyone who wondered how his different genret’s sides can be digested. It is a solid show, and when it comes to Malone’s professions for crap, the man protests too much.
Anyway, the stream of comments on the live stream inevitably drew entertaining polarized reactions, with many loving Malone’s accentuated country page and some still not really ready for it. Among the comments that appeared on the screen when the night ended:
“This is the longest I have ever tolerated country music before.”
“Put better than week 1.”
“Nobody notices that he smokes just like Dave Chapelle?” (Malone’s ability to connect a red solo cup and cig in one hand and his microphone in the other for a song, without spillage, was pointed out as if it were an Olympic sport.)
“Last week better.”
“I rather wait for K-Pop Malone.”
“I need about 3 hours of Megan you statllion twerking to get this out of my mind.”
“Sold to Country Sad!”
“He has risen.” (This Easter Sunday comment coincided with the climatic view of Malone raised on a floating platform, as the artist told the audience was “damn scary.”)
“He shouldn’t be so high when he drinks.”
“” Love who you love ” – let’s see about country people vibe with it, posty.”
“The whole audience gets used smoke tonight.” (This was like Malone did a lap around the perimeter of the runways, high -fitting fans of dozens.)
“Oh, couple more” ladies and gentlemen “for the road.”
“Where is Jennie?” (One last repetition of a comment that appears to be found every minute on each channel all weekend.)